Three Proofs in Generative Animation
From Generative Animation: Volume 4 of The New Machine Cinema The three first features in generative animation constitute a system. DreadClub: Vampire’s Verdict proved that A
Stop Motion Without Objects
Stop Motion Animation in the Age of Artificial Intelligence. Achieving Material in the Post-Material From Generative Animation: Volume 4 of The New Machine Cinema The puppet is gon
Animation After Labor
From Generative Animation: Volume 4 of The New Machine Cinema Animation after labor becomes an editorial art of selection, direction, and stabilization. The earlier arguments in th
Strings and the Live-Action Passing Threshold
From Pirate Cinema: Volume 3 of the New Machine Cinema Notes toward a new proof in The New Machine Cinema 1. The claim Cinema’s ontology is changing under our feet. Strings is th
The Pirate Cinema Manifesto
From Pirate Cinema: Volume 3 of the New Machine Cinema “Machine Cinema is a human right. You will not take our robots from us.” We steal history. We refuse permission.
Agentic Cinema: A Boy and His Robot
From Pirate Cinema: Volume 3 of the New Machine Cinema The future of cinema is a boy and his robot. As AI tests the limits of computing, allowing for deeper expression of machine p
Choose Your Protagonist: My Boyfriend is a Superhero!?
Announcing Jackson’s upcoming fully AI 3D animated romcom, My Boyfriend is a Superhero!? Expanding on “A Very Long Carriage Ride,” the groundbreaking proof of multifold machi
The Automated Film
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The automated film is what everyone thinks they are talking about when they speak against AI. I
