Writing With Machines
On October 6, OpenAI released 722 mathematical manuscripts grouped into 372 families of results, produced by an unreleased frontier model and reporting solutions to hundreds of ope
Attention is the Enemy
Disempowering the Attention Economy From Vol. 5 of the New Machine Cinema The artist of the future will be surrounded by systems better at capturing his attention than his own judg
The Making of Window Seat: The First Fully AI-Generated Feature Film In History
How the first fully AI-generated feature film was made. Written for the third anniversary, July 21, 2026. By Hooroo Jackson I. The Camera on Fire Window Seat opens with a movie cam
The Ise Shrine Model: AI Cinema as Ceremony
From Volume 5 of the New Machine Cinema For thirteen hundred years, the Ise Grand Shrine in Japan has been torn down and rebuilt every twenty years. Same design. New wood. The cypr
God’s Eye
From Volume 5 of the New Machine Cinema Film is not a medium for the Mona Lisa. The medium is transient, not permanent. Not an object. It is the very artform of memory. You should
Three Proofs in Generative Animation
From Generative Animation: Volume 4 of The New Machine Cinema The three first features in generative animation constitute a system. DreadClub: Vampire’s Verdict proved that A
The Synthetic Anime
A study of anime, AI and DreadClub: Vampire’s Verdict From Generative Animation: Volume 4 of The New Machine Cinema Anime was waiting for AI before most people realized it. AI an
One Film, Three Ways: AI and CG Animation
Choose Your Protagonist: A study of My Boyfriend is a Superhero!? *From Generative Animation: Volume 4 of The New Machine Cinema* A Very Long Carriage Ride proved that style is a p
Style as Variable: A Very Long Carriage Ride
From Generative Animation: Volume 4 of The New Machine Cinema The Living, Breathing Cinema proposed that a film could survive translation across multiple valid forms while retainin
Stop Motion Without Objects
Stop Motion Animation in the Age of Artificial Intelligence. Achieving Material in the Post-Material From Generative Animation: Volume 4 of The New Machine Cinema The puppet is gon
