Post-Aesthetic Cinema
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) Beyond even the Speed of the Mind, we uncover the neural-cinema emerging in the post-
The Pivot
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) The inevitable moment approaches when institutional resistance to AI filmmaki
The Infinite Performance
(Or, “Machine Pleasures: The Art of Directing AI Performances”, from Post-Scarcity Cinema: Essays from the AI Filmmaking Revolution, Volume 2 of The New Machine Cinema)
The Automated Film
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The automated film is what everyone thinks they are talking about when they speak against AI. I
The Moral Argument
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The supposed moral crisis around AI cinema reveals itself not in reasoned debate but in
The Living, Breathing Cinema
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) I truly believe we are moving into a world where audiences are no longer able to weaponi
Speed of the Mind
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The nature of AI filmmaking is too explosive to bottle up, but early in the space, we are a
One Man, One Film
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) One Man, One Film: The Case for Pure AI Cinema “One man writes a novel. One man write
The New Machine Cinema
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) Hooroo Jackson tempts the new machine cinema artform, and calls for the AI film revolution.
A Tale of Two Firsts
Hooroo Jackson Explores the Two Earliest AI Feature Films in History: Window Seat and THTHNG: Desolation Unknown, and the Battle for the True First As a lifelong cinephile and a s