Stop Motion Without Objects
Stop Motion Animation in the Age of Artificial Intelligence. Achieving Material in the Post-Material From Generative Animation: Volume 4 of The New Machine Cinema The puppet is gon
Animation After Labor
From Generative Animation: Volume 4 of The New Machine Cinema Animation after labor becomes an editorial art of selection, direction, and stabilization. The earlier arguments in th
Post-Render Genesis: The Ontology of AI Animation
From Generative Animation: Volume 4 of The New Machine Cinema AI animation is animation. That sentence should have been settled the moment the category emerged, yet it remains disp
Notes on the Founding Run
The founding run of six features and three volumes of theory in two and a half years is complete. Window Seat The first fully AI feature film The first feature film uti
The Pirate Cinema Manifesto
From Pirate Cinema: Volume 3 of the New Machine Cinema “Machine Cinema is a human right. You will not take our robots from us.” We steal history. We refuse permission.
Agentic Cinema: A Boy and His Robot
From Pirate Cinema: Volume 3 of the New Machine Cinema The future of cinema is a boy and his robot. As AI tests the limits of computing, allowing for deeper expression of machine p
Roguelike Cinema
From Pirate Cinema: Volume 3 of the New Machine Cinema A Case for Procedurally Generated Cinema, from Volume 3 of the New Machine Cinema Contract: Ten half-hours. By the finale, th
Choose Your Protagonist: My Boyfriend is a Superhero!?
Announcing Jackson’s upcoming fully AI 3D animated romcom, My Boyfriend is a Superhero!? Expanding on “A Very Long Carriage Ride,” the groundbreaking proof of multifold machi
The Heaviest Machine
Foreword for Post-Scarcity Cinema: Essays on AI Film Theory, Volume 2 of The New Machine Cinema There is no question here. The AI toolset will create an explosive outcome of the so
One Film, Two Ways: Presenting ‘A Very Long Carriage Ride’
Presenting ‘A Very Long Carriage Ride,’ heralding a new age of the malleable film. A film is no longer a film, a film is a series of possibilities. One day, films will
