The True Line Cut
From Life as Cinema: Essays in AI Film Theory, Volume 3 of the New Machine Cinema AI lets cinema behave like sumi-e and jazz: a single, unbroken gesture where the film records the
Machine Pleasures
(Or, “The Infinite Performance”, from Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) Drawing parallels with Robert Bresson’s theo
