One Film, Two Ways: Presenting ‘A Very Long Carriage Ride’
Presenting ‘A Very Long Carriage Ride,’ heralding a new age of the malleable film. A film is no longer a film, a film is a series of possibilities. One day, films will
Grotesque Pleasures
(From Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) What happens when optimization leads to something humans find repulsive, but the machine d
Mechanica-Surrealism
(From Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) Where Hooroo Jackson uncovers the emergence of a new AI avant-garde he calls, Mechanica-Su
Post-Aesthetic Cinema
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) Beyond even the Speed of the Mind, we uncover the neural-cinema emerging in the post-
The Pivot
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) The inevitable moment approaches when institutional resistance to AI filmmaki
Machine Pleasures
(Or, “The Infinite Performance”, from Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) Drawing parallels with Robert Bresson’s theo
The Moral Argument
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The supposed moral crisis around AI cinema reveals itself not in reasoned debate but in
The Living, Breathing Cinema
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) I truly believe we are moving into a world where audiences are no longer able to weaponi
Speed of the Mind
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The nature of AI filmmaking is too explosive to bottle up, but early in the space, we are a
The New Machine Cinema
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) Hooroo Jackson tempts the new machine cinema artform, and calls for the AI film revolution.
