Breaking the Caste System of Independent Cinema
From Pirate Cinema: Volume 3 of the New Machine Cinema On status, legitimacy, and the “demo” accusation in the age of machine-made film Independent cinema presents itself as a
Post-Aesthetic Cinema
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) Beyond even the Speed of the Mind, we uncover the neural-cinema emerging in the post-
