The Pinnacle Contact
The new cinema will move backward in time by moving forward. The cinema of the future will not be a static artifact but a living entity, changing with each viewing, shaped by its o
Machine Pleasures
(Or, “The Infinite Performance”, from Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) Drawing parallels with Robert Bresson’s theo
The Automated Film
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The automated film is what everyone thinks they are talking about when they speak against A
The Moral Argument
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The supposed moral crisis around AI cinema reveals itself not in reasoned debate but in
The Living, Breathing Cinema
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) I truly believe we are moving into a world where audiences are no longer able to weaponi
