The Future Audience Will Be Machines
(From Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of The New Machine Cinema) Exploring a post-audience future of cinema. In the future, everyone will be a filmmaker, n
The AI Restoration of ‘The Magnificent Ambersons’
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) Hooroo Jackson presents the ultimate concept for AI cinema restoration, the most famo
Mechanica-Surrealism
(From Post-Scarcity Cinema: Essays in AI Film Theory, Volume 2 of the New Machine Cinema) Where Hooroo Jackson uncovers the emergence of a new AI avant-garde he calls, Mechanica-Su
The Pivot
(From “Post-Scarcity Cinema: Essays in AI Film Theory” Volume 2 of The New Machine Cinema) The inevitable moment approaches when institutional resistance to AI filmmaki
The Living, Breathing Cinema
(An Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) I truly believe we are moving into a world where audiences are no longer able to weaponi
Speed of the Mind
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The nature of AI filmmaking is too explosive to bottle up, but early in the space, we are a
The New Machine Cinema
(Essay from “The New Machine Cinema: Foundational Essays in AI Film Theory”) The revolution will not be filmed–it will be dreamed directly onto the screen. Machine fi
