Three Proofs in Generative Animation
From Generative Animation: Volume 4 of The New Machine Cinema The three first features in generative animation constitute a system. DreadClub: Vampire’s Verdict proved that A
Style as Variable: A Very Long Carriage Ride
From Generative Animation: Volume 4 of The New Machine Cinema The Living, Breathing Cinema proposed that a film could survive translation across multiple valid forms while retainin
Stop Motion Without Objects
Stop Motion Animation in the Age of Artificial Intelligence. Achieving Material in the Post-Material From Generative Animation: Volume 4 of The New Machine Cinema The puppet is gon
The Preparatory Century is Over
From Generative Animation: Volume 4 of The New Machine Cinema From McCay to Machine Before it became an industry, before it crystallized into departments and pipelines and armies o
An Interview with Hooroo Jackson (“My Boyfriend is a Superhero!?”) – 12/5/25
‘My Boyfriend is a Superhero!?’ Interview with Mike Haberfelner, December 2025 Your new movie My Boyfriend is a Superhero!?—in a few words, what’s it about? My
An Interview with Hooroo Jackson (“A Very Long Carriage Ride”) – 6/3/25
‘A Very Long Carriage Ride’ Interview with Mike Haberfelner, June 2025 Your new movie A Very Long Carriage Ride—in a few words, what’s it about? One film, two w
Notes on the Genesis Run
The 2023–2026 Cycle and the Case for Hooroo Jackson’s Founding Run in Generative Cinema Window Seat Premiere: July 21st, 2023 The first fully AI feature film The firs
The Pirate Cinema Manifesto
From Pirate Cinema: Volume 3 of the New Machine Cinema “Machine Cinema is a human right. You will not take our robots from us.” We steal history. We refuse permission.
Choose Your Protagonist: My Boyfriend is a Superhero!?
Announcing Jackson’s upcoming fully AI 3D animated romcom, My Boyfriend is a Superhero!? Expanding on “A Very Long Carriage Ride,” the groundbreaking proof of multifold machi
One Film, Two Ways: Presenting ‘A Very Long Carriage Ride’
Presenting ‘A Very Long Carriage Ride,’ heralding a new age of the malleable film. A film is no longer a film, a film is a series of possibilities. One day, films will
